This delightful story incorporates the wistful dreams of both parent and child alike, especially in the current WFH reality. . . dynamic visuals and playful textual placement will captivate the attention of a range of readers. . . a humorous and accessible story for young readers.
—School Library Journal (starred review)
Yoon (Ball & Balloon, rev. 9/19) uses the drama of the page-turn beautifully, typography is employed creatively, and the book is perfectly paced. . . . Open the door to this spectacular book and run in.
—The Horn Book (starred review)
Yoon’s digital art is a riot of movement and color. . . For many families, the home office/classroom has become a staple in the house this past year, and this is a lovely reminder that it doesn’t have to always be used for work and no play.
—The Bulletin of the Center for Children's Books
Yoon reveals the fun behind closed doors in this comedic, well-designed picture book. . . . A combination of stark angles and rounded cartoonish positions energize mixed-media illustrations in this exemplar of childlike curiosity that, with a tender end-of-book reversal, also reinforces the importance of parent-child play.
—Publishers Weekly
Timely and familiar, an endlessly charming ode to imagination and enjoying guilty pleasures for the preschool set.
—Kirkus Reviews
The first picture of the orderly office in shades of gray contrasts sharply with its later appearance, wildly chaotic and joyously overdecorated. . . An amusing, original picture book.
—Booklist
Helen Yoon's exuberant illustrations are hilarious; little ones will laugh at the surprise ending.
—The Buffalo News
This book would make for a marvelous deep dive study into what it is that makes picture books fun for kids. Mischief, sure, but also design, timing, good writing, fun characterizations, and an ending that sticks the landing. It reads aloud better than any other picture book I’ve encountered this year and you can read it over and over and notice something new each time you do.
—A Fuse #8 Production
What Yoon does here with color, shapes, perspective, and pacing, as the chaos builds, is brilliant. . . . Immensely satisfying.
—Seven Impossible Things Before Breakfast
